![]() ![]() Its relative minor is A minor and its key of the same name is C minor. The Key C major (also called Do M in Latin notation or Model Scale and C in Anglo-Saxon notation) is based on a major scale on the note C, consisting of the notes C, D, E, F, G, A and B (B). They are arranged in the circle of fifths: Major scale arranged in the circle of fifths If we take one of the 12 notes and use these distances, we get the 12 major scales that we will see below. Tone - Tone - Half Tone - Tone - Tone - Half Tone So the tonal scheme within the major scale is as follows: This scheme is observed in all major modes, regardless of their pitch. The intervallic distance between all steps is one tone, except between the III-IV step and the VII-VIII step, where it corresponds to a semitone. The relationship between these sounds, which we will call degrees because of their functionality, creates a scheme depending on their intervallic distance, which in a way corresponds to the major or ionic mode.ĭo you want to produce your own music? Here we explain exactly what you need to do this! Starting from this tonic, the major scale is built up by a sequence of eight notes with a certain hierarchical structure. The major scale is formed from one note called the tonic. ![]() *Keep in mind there are many different ways to play scales, the charts shown above are examples using the CAGED system.Every scale in our tonal system, in this case the major scale or Ionic mode, consists of two elements: tonality on the one hand and modality on the other. The Bb/A# Major ScaleĪ Bb can be found on the 6th fret of the 6th string, as indicated by the white circles in the example below on the low E string indicating the root, or starting note. Next, we take a whole step up to F, before taking a whole step to G, and a whole step to A before finishing on a half step up to our tonic note of Bb in the next highest octave. The step pattern for the Bb major scale begins on Bb, followed by a whole step up to C, followed by another whole step up to the note D, then a half step to Eb. ![]() However, Bb is more commonly referred to in musical notation as it contains just two flats (Bb and Eb), making it relatively simple to read and play.Ī#, on the other hand, has a key signature of 4 sharps and 3 double sharps, making it far more complex and thus not commonly used. Bb and A# are enharmonic equivalents, meaning they sound the same but are notated differently. ![]()
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